Saturday, April 30, 2011

The specialist in Canvas Printing


SimpleCanvas.com, the specialist in Canvas printing, offers you the chance to have your own bespoke Canvas. Utilising the latest technology we offer the highest quality in canvas printing and canvas print finishing.

At SimpleCanvas our canvas prints are printed and stretched on specialist archive canvas material, whether it's a treasured family photo, wedding day memory, favourite holiday photo or dramatic landscape -your canvas will look as good for a lifetime as on the day it was framed

Our canvas frames are made of pine and available in two different depths, 2cm and extra chunky 5cm. The timber is sourced from managed pine forests in Europe and is carefully selected and stored. Then the wood is kiln dried to 11% moisture content for stability. The hinges are then cut into each end to allow the frames to expand after the canvas has been mounted, this means if your canvas ever goes saggy over time you can re-stretch it without having to take it off the frame!

The final stage of our canvas process is the application of two coats of lacquer.
These are applied with a spray gun and compressor to ensure an even coverage and finish like no other. Your canvas will have the typical authentic look but a slight 'glisten' when the light catches it.

Whether the Canvas print is from your original photo or from one of our continually refreshed images form our 'Gallery Page' within our website – www.simplecanvas.com, a SimpleCanvas fine art canvas prints will look great in your lounge, dining room or bedroom. In fact, wherever you choose to hang it, a SimpleCanvas canvas print is just as much at home in any office, restaurant, bar or hotel.

Our general turnaround for our canvas prints is 5 working days. Each canvas comes in its own unique box and individually bubble wrapped within the box, to ensure durability. The packing of your Canvas print is extremely important and we ensure that your Canvas arrives at your doorstep on time and 100% perfect.

All canvas printing and framing is produced from our own workshops based in the West Midlands. We deliver our canvas prints by insured courier throughout the UK, Europe and the USA.

Musical Phones


"Let me transfer your call." What goes through your mind when you hear those words? Do you have visions of being placed on hold, waiting for someone else to come on the line, repeating what you just said, and then hearing one more time, "Let me transfer your call?" Feelings of frustration set in and your confidence in the company you dialed begins to diminish. It's a game of musical phones played to a tune that no one enjoys.

If you don't like being transferred from person to person over the phone, your customers don't care for it either. There are a number of ways to transfer callers without creating more problems along the way.

Listen to the caller's issue. Even if you think you know immediately what people want and who can help them, hear them out. Don't interrupt. You could learn something that will change your mind about how to handle the call.

Avoid saying the word "transfer." Tell people that you need to "send" their call to another department or employee. Offer to "connect" them or "put them through" to someone else. Using a different term can save your callers undue anxiety and fellow employees from having to deal with edgy customers.

Check to be sure that the person to whom you are sending the call is actually available. Your customer will not be happy if the call unexpectedly goes through to a voice mailbox. If you know that the person who can help is not in, ask before transferring callers to voice mail. They may prefer another route.




Verify that you have the right person before connecting the call. If you aren't certain, ask the caller to wait while you check. Tell callers why you need to transfer them.

Give your caller the name and the direct number of the person to whom you are directing the call. That way, if there is a disconnect, your customer knows whom to ask for when they call back. If you have the ability to stay on the line and make an introduction, that is all the better.

If you want to provide customer service that will delight your callers, offer your name and phone number and invite people to call you back if their needs are not met or their questions are not answered. Thoughtfully and carefully transferring calls reflects positively on your entire organization and will eliminate musical phones.

Cheap Ghost Writing Isn't Easy -- But It's Worthwhile!


You might think that selling yourself short is a sure way to not be a success in the ghost writing field. And your eyes are probably dancing with the large sums of money that you've heard ghost writers pull down, in yearly figures such as $60,000 to $100,000, or amounts such as $15,000 to $60,000 per each book written. You're a writer, you love to write, and you believe that this is the way to go when it comes to writing.

This is especially so when you've started to break into the field and you're a ghost writer -- or ghostwriter -- who has never really ghosted a book for someone else before. You're probably thinking big bucks, major book contracts, large amounts of cash advances from publishers and huge percentages from the books you will be anonymously writing for big time authors.

But let's face some facts. First time authors are often people with no real money or skills to invest in writing a book. They may have fantastic stories to tell, but they don't have the enormous amount of financial capital available to hire any such expensive ghost writers. They're bound to enter some psychological difficulties when they see that the payments to you are the whopper figures such as those listed above, and that those are the only sorts of prices accessible to them. By laying out such enormous fees, you could be stuck losing a huge customer base of clients with fantastic stories to tell -- but without the major wherewithal to pay you to tell them. What if, say, your potential author, the person hiring you to write his or her story, has only $5000 or less to spend?

I know what I'm talking about, and I can create a decent, well-written work of cheap ghost writing in a month or so for around that amount of money. You do that, and there's your $60,000 per year! It really isn't all that hard. You don't even have to charge as high as $5000 per book.

Most other ghost writers I know are only as capable I am, but many of them do charge the higher amounts. The clients of the high end ghost writers tend to be people with enormous sales potential, not the typical first time authors who have a great story but often don't really go anywhere with it – the so called "sucker market."

It might be worthwhile to consider charging less, or negotiating a deal with such a "first timer." Over the years, I have drawn the conclusion that there are an awful lot of such people out there. I have been ghost writing books for people for as low an amount as $2000 per book, and as I have sources of income from other types of writing, I have been finding an immense amount of personal satisfaction from helping such would be authors actually obtain what they are looking for in a "cheap ghost writer" who charges a reasonable price for the quality and quantity of work done for them. I simply ask for installment payments, usually made in advance, and sometimes I also ask for a percentage of the net book sales.

This works out to be less "greedy" on my part and more of a service that I provide for authors who are simply yearning to get their books up high on the top of the New York Times Bestseller lists, and who know that such are their dreams, not necessarily their realities. These are often people who have reached the ends of their ropes when it comes to negotiating a lower price for their books. They usually have nowhere else to turn when it comes to putting out their own personal stories, and they need someone with a willing ear and pen to listen and help them set down their tales before it's too late for them to be told. And there is still hope for these people to even hit the big time, if they have the right types of stories to tell.




Also, some of these authors simply don't know what they're doing and need a guiding hand to help them. They need their letters of query written up for them, their brief biographies put together, and their book proposals prepared for them, as they are dipping their toes into the writing field and getting them wet for the first time. A lot of them think they are going to get their book written and then get some kind of major advance, straight from a publisher.

It just isn't like that 90% of the time. An advance comes after a deal has been negotiated with a reputable literary agent, bids by publishers for the book have been scrutinized, and contracts have been signed. It helps in a major way to have the book in hand, sometimes even having it self published first, to get anywhere near a commercial publisher. This can be a very expensive process for a first time, would be author.

People like that don't need to face down what looks like to them to be a million dollar price tag when they are looking for what's described as a cheap ghost writer. They want an actual inexpensive ghost writer who understands their needs, both budgetary and otherwise, who can sit down with them and negotiate a fairly low amount of money paid out by them so they can figure on at least getting some return from their books. These people are not Presidents of the United States or famous movie actors, whose books are guaranteed to sell, and many of them find themselves "stuck" with what used to be called vanity publishing, nowadays called self publishing. They won't necessarily find a commercial publisher who wants to take a chance on huge returns from their books in today's multifaceted but still challenging world of publishing.

These clients need literally cheap or inexpensive ghost writers. They don't need to spend a small fortune on their books to find out they all dead ended in a warehouse, didn't sell as widely as they thought they would, or they otherwise came out on the short end of the stick. They need to carefully invest their time and effort on a decent, expert ghost writer. And they could use some material publishing help to get their books "out there" -- properly displayed and promoted in today's modern Internet oriented book market.

Help them. Consider bargaining and bartering at a lower price sometimes, and not at a higher price. It might be worth your while. Try it and see!

Business Managers: Communicate Your Career To The Next Level


Not too long ago, I walked into a room where some of the country's top oncologists were preparing to launch a new cancer-fighting drug. The occasion was the group's rehearsal before a big presentation to the Federal Drug Administration. Given that these men and women are some of the best and brightest in their field, I thought the rehearsal would be a breeze. So, I sat down, pen poised to make a few notes so I could help them fine-tune their presentations and be ready for the onslaught of media that was sure to follow.

What a letdown. Five articulate, highly educated, well-dressed presenters, armed with shiny animated slideshows, droned on and on and on and on. It didn't matter what they were saying because the audience wouldn't really hear any of it anyway. Around me, eyes closed, and others pretended to take notes while playing solitaire on their laptops. I wondered how in the world I could help these presenters. I also thought about tripling my consultation fee on the spot.

All presenters believe their words are important, and they are. But if you don't give an audience a good reason to listen, they will quickly tune you out. In an age where sound bite is king, cutting through the clutter is more important now than ever.

Consider the following 7 points before stepping into the limelight:


The Take-Home

No matter how many years and dollars you've spent on research and development, no matter the technical complexity of your subject matter, when speaking to a group your entire presentation must boil down to one key point. If you had to sum up your talk in 10 seconds, what would you want your audience to know?

Ask Yourself the Right Questions
What you think a listener needs to know is not always what that listener wants to know. Put yourself in your listener's seat and ask the following questions: So what? Who cares? What does this mean to the listener, reader or viewer and me? Until you frame your messages from your audience's perspective, they won't care. If they don't care, you'll never receive their full attention.

Talk in nuggets

Powerful communicators who can hold attention have something in common with each other. They've learned that speaking is for the ear, not for the eye. Instead of preparing a presentation as a research paper jammed with minutiae, condense complicated information into bite-sized nuggets and present only the information needed to move an audience toward the desired outcome.




Present, Don't Read

Is your presentation written like a term paper? Is it written in sentences? Do you allow room for pauses so the listener can participate? People don't converse in long-winded sentences. We speak in short phrases. So write in phrases or bullet points. You will then find yourself talking more and reading less. Also, take time to pause between key thoughts so your listeners can digest what you're saying.

Paint the Picture

Explaining the features of your product may be important, but explanation without example has no meaning. People can't remember all of the facts, but they do remember impressions. By comparing and contrasting, providing analogies and visual images, your presentation will come to life.

Slideshow or Presentation?

No one comes to a presentation to see a slideshow. They come to hear a knowledgeable person share ideas and talk. Visuals should reinforce what you're saying, not serve as your script. Instead of preparing the slides first, prepare your remarks then create appropriate supporting visuals. Let your words drive the visuals instead of the other way around.

Nix the Jargon

Just because your audience is packed with colleagues or you're providing information for an industry trade publication doesn't mean you should talk jargon. Get rid of the buzzwords and throw away phrases. Rather, look for opportunities to put your words in context by humanizing your material and telling stories or anecdotes.

As I worked with the oncologist presenters and brought many of these points to their attention, they worried that simplifying the information would harm their credibility. Quite the opposite. By making an effort to connect with their audience rather than throw too much information at them, they created a focused, central theme with real-life examples that excited and inspired listeners. And in the end, the cancer drug they believed in made it to market and received a lot of good press!

Become an Expert at Speaking


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Become an Expert at Speaking

Does anybody really have anything new to say? There is no end to the number of people who enjoy bringing their expertise to the platform. There will always be an audience who will want to hear your good ideas communicated uncommonly well in an uncommon way. Your challenge as a speaker is to figure out how to do that.

Here are some starter tips on how to become an expert at speaking:

1. Study the best. Choose a topic that you love to speak on and that others need to hear about. Then listen to those who are either most successful in that area, most gifted, or both. Some speakers who get paid very well for their information may not necessarily have outstanding delivery styles. Content is always king, but all speakers should deliver their talk with eloquence. I tell my
professional speaker clients that they will be hired for their content, but paid for their delivery!

2. Listen to tapes, videos, DVD's – and attend lectures when possible. Expose yourself to as many speakers and styles as you can. You can learn from everyone, the good and the bad. Listen with an ear that helps you to know
what you like best about the speaker's presentation and what you like least. How can you use this to make you better at the platform




3. Practice for Free. Don't charge for your first speech. There are many service and business networking clubs looking for speakers every week. Check the clubs in your area (ex: Rotary, Lions, Leads, Chamber of Commerce, church
groups) and contact the program chairs to speak to their groups. Speaking often is critical to your development as a sought after speaker. I encourage my clients to speak for free often as they are building their speaking careers. The
audience will tell you what your best material is and this will help you hone your skills so that you can eventually be a paid speaker with groups that have budgets.

4. Get feedback. Interview clients and friends who can provide you with input about the value of your topic(s) as well as your content and delivery style. After you speak to a group, verbally get some feedback from a few attendees.
You can do this with a phone call or email. Better yet, provide your audience with an evaluation form. I always encourage my clients to do this and include a line that says: "Do you know of any other groups who would benefit from this
program?" "If so, may I call you to get that information?" Be sure to include a line that requires their name and phone number.

5. Get good, and then get better. Even the best, at the top of their game, keep working at doing it better, doing it differently, keeping their material current and interesting. There is always room for improvement. Don't rest on your
commercial success alone. Always be present for "breakthroughs." You never know when the next one is around the corner. How do you get better? Hire a speaker coach, like me ,and get out there and speak, speak, speak!

Personalize Your Pod



We humans are a territorial bunch. We have reached the point in our civilisation that we don't mark our space the same way as our animals do, but still, we love nothing more than individualizing the things we use every day and making them our own. As children at school, we scrawled our names over our copybooks, and drew doodles to mark things as our own. As we age, our personalizing attempts grow more sophisticated. From our homes to our cell phones, though, we continue to make our mark by using the colors, shapes and sounds we love to make a thing look more like ours.

And thankfully, the good people who brought us the amazing music system that allows us carry our whole music collection in the palm of our hand have realized that personalizing the things we hold dear is one of the things we love best. While the music you listen to individualizes your iPod in an auditory way, now you can signal that the device is your own with just a simple glance. The iPod tattoo is here.

Whether you are a technical guru or are someone who enjoys their gadgets without having to understand how they work, you can create your own iPod tattoo with relative ease. Using Photoshop to make your own image or logging on to HP's website to avail of their helpful tools, you can choose precisely the image you want to make your iPod stand out from the crowd. <




You can literally give your iPod any look you like, and change it again when the mood strikes. Choose from a range of images already available, or even use a picture or image of your own for that really unique look – as long as the picture can be converted into a computerized digital file, you are on your way to owning an iPod that will really be all your very own.

The iPod has created a musical craze that is a real gift for any music lover. With devices that can store enough music to keep you entertained on a desert island in a format that fits into the palm of your hand, it's no wonder that these digital music players are so popular. But with an iPod tattoo, you can move beyond the crowd by creating a player that is undeniably your own, allowing you to enjoy the amazing technology that is shared by so many in a totally unique way.

Tools For Learning Guitar


Guitarists are insatiable learners and the world is full of great guitar learning material. First of all, there are countless tablature books which show you in the easy-to-learn guitar tablature format how to play all your favorite songs even if you can't read sheet music. If you can read sheet music, then there is sheet music available for every popular artist and thousands of classical and lesser-known composers. There are also "method books" that teach how to play a particular style, and there are instructional guitar DVDs that show you and tell you everything a single guitarist knows how to do. There are books with CDs full of audio examples, there are DVDs that come with tablature books; the list of available guitar learning resources is endless.

Guitar lessons are still the number one way that guitarists pick up new information. In-person guitar lessons with a local guitar teacher are probably the most effective way to learn new things about the guitar. The world is full of part-time and full-time guitar teachers, who put their heart and soul into teaching their students how to be an ever-improving guitar learning machine. Guitar teachers are expensive, however, and not everyone has the money or the time to commit to in-person lessons. So while this is a truly effective method, it is not for everyone.

Over the last 5 years, online guitar lessons have become an outstanding resource for guitarists wanting to learn guitar at a convenient pace and at very low cost. In my opinion, online guitar lessons have come of age, and are now the best tool for learning guitar available to anyone anywhere. I don't propose that online guitar lessons should supplant books, sheet music, DVDs, and in-person guitar lessons. What I would like to suggest is that online guitar lessons are more convenient, cheaper, more useable, and provide more breadth of information than any other method available.

Convenience: Tablature books are OK, as long as they come with some audio examples. DVDs are OK, as long as they come with a book. The problem is that keeping your place in the book and your place on the CD/DVD in synch is difficult. Every time you take a break (every day basically) you lose your place and have to synch up all over again. Online guitar lessons, on the other hand, solve the problem of synching the tab, explanation, and audio/video samples. A web page is the ultimate guitar lesson format: audio, video, and text all together in one document.




Price: Books and DVDs have to be manufacturer, shipped, and inventoried. If you have ever burned a CD or made some copies at a copy shop, you know that manufacturing a product costs real money. Imagine if you had to turn around and sell your product at a profit? Shipping a book or DVD to the retailer is another expense in traditional publishing that occurs before the product is even ready to be sold. Inventory, the hidden expense, can be the largest: every month the book sits in the store, it costs the owner a percent of the price to pay for it to be kept out of the rain, and if the inventory is bought on credit, there is interest on the loan as well. All told, it is no wonder there are few places that sell guitar lesson products even in a large city.

Breadth: Guitar books generally can only have a few hundred pages; DVDs can only hold a couple of hours of video. A web site can expand to the size of a whole library full of books and DVDs. This is one aspect of the size advantage of online guitar lessons, but the more important aspect is this: getting a book published is so difficult, that many great guitarists simply never try it. Publishing a web site is so easy that many fantastic guitarists who would never previously have published their knowledge can now publish their guitar lessons online where you can find them.

As you can see, online guitar lessons have significant advantages that should make them an important part of any guitarist's learning strategy. As the internet continues to grow, and the use of video on the internet spreads, look for online guitar lessons to one day be the recognized leader in helping guitarists improve their skills in a convenient, inexpensive way.